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The 28 Best Movies on Max (aka HBO Max) Right Now (May 2024)
Tue, 14 May 2024 19:00:00 +0000
Mad Max, Stop Making Sense, and Dune are just a few of the movies you should be watching on Max this month.
Match ID: 0 Score: 55.00 source: www.wired.com age: 1 day
qualifiers: 35.00 (best|good|great) (show|movie), 20.00 movie
Jane Schoenbrun Wants to Blow Up Your TV
Thu, 16 May 2024 16:37:56 +0000
Growing up, director Jane Schoenbrun escaped into shows like The X-Files and Twin Peaks. Their new movie is about the relief, and danger, of getting lost in screens.
Match ID: 1 Score: 50.00 source: www.wired.com age: 0 days
qualifiers: 30.00 new movie, 20.00 movie
Bird review – Andrea Arnold’s untamed Barry Keoghan tale is a curate’s egg
Thu, 16 May 2024 15:55:45 GMT
Cannes film festival
Toads who sweat hallucinogens, lonely pre-teens and a sudden German in a kilt: Arnold’s pick’n’mix latest dives as much as it soars
Andrea Arnold’s flawed, garrulous new movie is a chaotic social-realist adventure with big, chancy performances, grimly violent episodes, tragedy butting heads with comedy and physical existence facing off with fantasy and imagination.
It meditates on identity and belonging, the poignancy of not being valued, not being seen, the transition from childhood to adulthood, girlhood to womanhood, sexism and cruelty. The energy and heartfelt good humour offset the moments of cliche and implausibility.
Barry Keoghan plays Bug, a lairy bloke who is over the moon at his imminent wedding and his foolproof idea for easy money: he has imported from Colorado a certain kind of toad whose slime is a powerful (and expensive) hallucinogen. It’s just that the toad needs the right kind of soothing and yet upbeat music played to it, before it starts sweating out the good stuff. And what track does Bug like? Andrea Arnold couldn’t resist it: Murder on the Dancefloor. Perhaps every Keoghan film from now on is going to have a Saltburn gag.
Studio Voltaire, London
From Tom’s pert-bottomed hunks to Cook’s curvacious ladies, both artists wanted to give pleasure
‘Hate the politics, love the uniform,” would pretty much sum up Touko Valio Laaksonen’s attitude towards the Wehrmacht soldiers he encountered as a young, conscripted anti-aircraft officer in the Finnish army, fighting alongside the Germans in the second world war. After the war, Laaksonen began signing his commercial drawings for physique magazines with the moniker Tom of Finland, and the very different uniform of the sexual outlaw, inspired by American biker culture (and in particular by Marlon Brando in the 1953 movie The Wild One), replaced field grey with leather and denim, a hyper-masculine look that developed in gay culture from the 1950s onward.
Pert-bottomed and conspicuously well hung, six-packed and nipples erected, poured into their jeans and their leather trousers, Tom of Finland’s groups of hunks and Muscle Marys indulge in all sorts of horseplay. They suck, they rim, they fist, they fuck. They pose and they cruise, they watch and, given half a chance, they join in. There’s a bit of lighthearted BDSM, but not much else to vary the routine. What a tiring round their days must be. Away from the magazine page or beyond the edge of the drawing they might complain, if they had the time, about their onerous moisturising regimes, the daily workouts and depilation routines. Never mind the same old outfits every day, or that as soon as one scene has ended another’s begun. Even when they’re tied to a tree and being thrashed with a belt they seem happy enough, and no one ever screams their safe word.
Continue reading...The grimly effective 2008 home invasion shocker gets a strange semi-remake that sucks out all of the suspense
In a genre in which innovation is increasingly resigned to the furthest outskirts, there’s something almost admirable about just how staggeringly redundant The Strangers: Chapter 1 is, early contender for 2024’s most pointless horror movie. It’s the third in a series that should have stopped after one, a reboot that’s more of a remake but sold as a prequel while also acting as the start of a new trilogy, an over-complicated attempt to squeeze new life out of old IP. The 2008 original, which starred Liv Tyler and Scott Speedman as a couple menaced by three masked invaders, was a short, sharp shock to the system, a bare-bones exercise in drip-drip suspense made scarier by its cold, motivation-less villains (“Because you were home”).
There was a stark, naturalistic nastiness to it, closer to Michael Haneke’s Funny Games than most of the silly genre dreck being churned out at the time and so while the film was a commercial win for Universal, it didn’t lend itself to easy extension. A troubled decade of false starts finally led to 2018’s sleekly made yet maddeningly scare-free sequel Prey at Night and now six years later, with rights moving over to Lionsgate, we have a new trilogy, ambitious in concept if nothing else. The three films are all set to be released within a year, an expansion of a world that worked best on the simplest of terms, a perfect example of unnecessary bloat at a time when we’re surrounded by it. It’s the era of 10-hour TV seasons that could be 100-minute movies and prequels to stories answering questions we never cared to ask and with yet more to come from the worlds of Harry Potter, Twilight and Lord of the Rings, why not stretch a tight 85-minute shocker into a multi-film franchise?
Continue reading...Cannes film festival
Lou Ye’s docu-realist film starts as sophisticated comedy, morphs from looking like a zombie apocalypse to intimate drama, and evolves into a tribute to how a nation handled trauma
Out of agony and chaos, Chinese film-maker Lou Ye has created something mysterious, moving and even profound – a kind of multilayered docu-realist film, evidently inspired by a real-life situation in film production. As well as everything else, the film meditates on what it means to be “unfinished”. Very few of us will leave this life with a satisfied sense of everything achieved, complete, squared away. To be mortal is to feel that things have ended without being finished. It is possibly his best film since the courageous Tiananmen Square drama Summer Palace from 2006 – and set near Wuhan, the city in which his 2012 film Mystery was set in the days when that place was internationally known – if at all – simply for being almost scarily vast and impersonal.
It is 2019 and a film director and his crew gather in a production studio and excitedly unbox a big 00s-era computer, containing the digitised video and audio files for a film he had had to abandon 10 years before – without even having a title – because he had refused to bow to his producers’ demands to soften the content. It is a story of a gay man’s passion for another man who is involved with someone else. Getting the unfinished film now is clearly the end result of legal wrangling. (Lou has evidently had access to genuine footage from a real production.)
Continue reading...On the 125th anniversary of his birth – and with a Tom Holland biopic in the works – we run down the finest performances in the Hollywood legend’s eight-decade career
A semi-straight turn from Fred Astaire in this witty comedy drama. He is an American diplomat in London whose employee (Jack Lemmon) is renting a flat from a mysterious, organ-playing landlady (Kim Novak) who is widely suspected of having offed her husband. Astaire brings a touch of old-school sophistication, while he and Lemmon make for an appealing double act, trading gags rather than toe-taps.
Continue reading...OpenAI’s updated chatbot GPT-4o is weirdly flirtatious, coquettish and sounds like Scarlett Johansson in Her. Why?
“Any sufficiently advanced technology is indistinguishable from magic,” Arthur C Clarke famously said. And this could certainly be said of the impressive OpenAI update to ChatGPT, called GPT-4o, which was released on Monday. With the slight caveat that it felt a lot like the magician was a horny 12-year-old boy who had just watched the Spike Jonze movie Her.
If you aren’t up to speed on GPT-4o (the o stands for “omni”) it’s basically an all-singing, all-dancing, all-seeing version of the original chatbot. You can now interact with it the same way you’d interact with a human, rather than via text-based questions. It can give you advice, it can rate your jokes, it can describe your surroundings, it can banter with you. It sounds human. “It feels like AI from the movies,” OpenAI CEO Sam Altman said in a blog post on Monday. “Getting to human-level response times and expressiveness turns out to be a big change.”
Continue reading...
Non-fungible tokens (NFTs) are the most popular digital assets today, capturing the attention of cryptocurrency investors, whales and people from around the world. People find it amazing that some users spend thousands or millions of dollars on a single NFT-based image of a monkey or other token, but you can simply take a screenshot for free. So here we share some freuently asked question about NFTs.
NFT stands for non-fungible token, which is a cryptographic token on a blockchain with unique identification codes that distinguish it from other tokens. NFTs are unique and not interchangeable, which means no two NFTs are the same. NFTs can be a unique artwork, GIF, Images, videos, Audio album. in-game items, collectibles etc.
A blockchain is a distributed digital ledger that allows for the secure storage of data. By recording any kind of information—such as bank account transactions, the ownership of Non-Fungible Tokens (NFTs), or Decentralized Finance (DeFi) smart contracts—in one place, and distributing it to many different computers, blockchains ensure that data can’t be manipulated without everyone in the system being aware.
The value of an NFT comes from its ability to be traded freely and securely on the blockchain, which is not possible with other current digital ownership solutionsThe NFT points to its location on the blockchain, but doesn’t necessarily contain the digital property. For example, if you replace one bitcoin with another, you will still have the same thing. If you buy a non-fungible item, such as a movie ticket, it is impossible to replace it with any other movie ticket because each ticket is unique to a specific time and place.
One of the unique characteristics of non-fungible tokens (NFTs) is that they can be tokenised to create a digital certificate of ownership that can be bought, sold and traded on the blockchain.
As with crypto-currency, records of who owns what are stored on a ledger that is maintained by thousands of computers around the world. These records can’t be forged because the whole system operates on an open-source network.
NFTs also contain smart contracts—small computer programs that run on the blockchain—that give the artist, for example, a cut of any future sale of the token.
Non-fungible tokens (NFTs) aren't cryptocurrencies, but they do use blockchain technology. Many NFTs are based on Ethereum, where the blockchain serves as a ledger for all the transactions related to said NFT and the properties it represents.5) How to make an NFT?
Anyone can create an NFT. All you need is a digital wallet, some ethereum tokens and a connection to an NFT marketplace where you’ll be able to upload and sell your creations
When you purchase a stock in NFT, that purchase is recorded on the blockchain—the bitcoin ledger of transactions—and that entry acts as your proof of ownership.
The value of an NFT varies a lot based on the digital asset up for grabs. People use NFTs to trade and sell digital art, so when creating an NFT, you should consider the popularity of your digital artwork along with historical statistics.
In the year 2021, a digital artist called Pak created an artwork called The Merge. It was sold on the Nifty Gateway NFT market for $91.8 million.
Non-fungible tokens can be used in investment opportunities. One can purchase an NFT and resell it at a profit. Certain NFT marketplaces let sellers of NFTs keep a percentage of the profits from sales of the assets they create.
Many people want to buy NFTs because it lets them support the arts and own something cool from their favorite musicians, brands, and celebrities. NFTs also give artists an opportunity to program in continual royalties if someone buys their work. Galleries see this as a way to reach new buyers interested in art.
There are many places to buy digital assets, like opensea and their policies vary. On top shot, for instance, you sign up for a waitlist that can be thousands of people long. When a digital asset goes on sale, you are occasionally chosen to purchase it.
To mint an NFT token, you must pay some amount of gas fee to process the transaction on the Etherum blockchain, but you can mint your NFT on a different blockchain called Polygon to avoid paying gas fees. This option is available on OpenSea and this simply denotes that your NFT will only be able to trade using Polygon's blockchain and not Etherum's blockchain. Mintable allows you to mint NFTs for free without paying any gas fees.
The answer is no. Non-Fungible Tokens are minted on the blockchain using cryptocurrencies such as Etherum, Solana, Polygon, and so on. Once a Non-Fungible Token is minted, the transaction is recorded on the blockchain and the contract or license is awarded to whoever has that Non-Fungible Token in their wallet.
You can sell your work and creations by attaching a license to it on the blockchain, where its ownership can be transferred. This lets you get exposure without losing full ownership of your work. Some of the most successful projects include Cryptopunks, Bored Ape Yatch Club NFTs, SandBox, World of Women and so on. These NFT projects have gained popularity globally and are owned by celebrities and other successful entrepreneurs. Owning one of these NFTs gives you an automatic ticket to exclusive business meetings and life-changing connections.
That’s a wrap. Hope you guys found this article enlightening. I just answer some question with my limited knowledge about NFTs. If you have any questions or suggestions, feel free to drop them in the comment section below. Also I have a question for you, Is bitcoin an NFTs? let me know in The comment section below
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